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Mandala

by Jeremy dePrisco

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1.
2.
Promises 04:02
3.
4.
5.
6.
Word Traffic 03:48
7.
8.
I Ran Away 03:13
9.
10.
Taller 04:26
11.
Why 04:01
12.
Breathe Deep 05:44

about

I've decided to gradually post the rest of my back catalog on Bandcamp. My albums from 1999-2010 are a lot less electronic, but might be of interest to fans of Jethro Tull, Cat Stevens, or progressive rock in general. These albums represent a time when I was actively performing in the singer-songwriter genre, expanding my love of recording, but not performing with computers on stage.

Mandala was my first major production, featuring 12 songs in the singer-songwriter genre.

These works were composed in the mid-late 90s, long before my attendance at electro-music 2010 - an event that significantly changed the direction of my creativity moving forward. So there's some heavy folk influences here, more traditional song structures, and styles. This material is almost entirely guitar-centric. There's a few covers, but it's mostly original material.

More about this album here:
www.jeremydeprisco.com/mandala-1999/

credits

released November 15, 1999

Personnel:

Jeremy dePrisco – Acoustic & electric guitars, voice, bass,
percussion, mandolin, samples, keyboards
Joseph M. Schrum (formerly of Rogue, and Cadillac Jack) – Drums, Roland electronic drums, congas and marimba
Lou Damon – Occasional backing vocals on tracks 2, 5, 9, and 12
Lead guitar on tracks 5, 6, and 10
Jim Nowak – Lead guitar work on tracks 1 and 7
Matt Homiak – Bass on tracks 5 and 11

Written, produced, recorded and engineered by Jeremy dePrisco (ASCAP).
Mixed and mastered by Ed Debes. Mixing assistant: Andrea Shearer

CD Graphic Design by Russ Cox @ Smiling Otis Designs

Photo Credits:

Cover portrait by Sean Simmers

Kalachakra Mandala image reprinted with permission © 1985 Martin Brauen

More at:
www.jeremydeprisco.com/mandala-1999/

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all rights reserved

tags

about

Jeremy dePrisco Philadelphia, Pennsylvania

Jeremy dePrisco is a Pennsylvania musician, composer, performer, and sound artist using improvisation, collaboration, and noise to examine and recontextualize the alienation inherent in media influence, socially constructed reality, conspiracy, and myth.

He works with field recordings, guitar, electronics, synthesizers, radios, found sounds, home-made gadgets, and processed video.
... more

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